From Chris Conrad on YouTube
“I finally got to meet my childhood obsession, Hanson! Only 15 years late, but HEY. Carly Rae Jepsen was pretty awesome, too.”
(Video was just uploaded, M&G was during Canadian tour when Carly Rae Jepsen opened)
From Chris Conrad on YouTube
“I finally got to meet my childhood obsession, Hanson! Only 15 years late, but HEY. Carly Rae Jepsen was pretty awesome, too.”
(Video was just uploaded, M&G was during Canadian tour when Carly Rae Jepsen opened)
Name: Kaytee
Age: 30
Location: Canada
What is the very first memory of Hanson that you have?
Walking into my living room only to find my little sister watching Hanson on YTV at Canada’s Wonderland. I stopped dead in my tracks and with my mouth hanging open, I managed to blurt out “who is that.” Hanson my sister replied. It’s all history after that moment.
How many times have you seen Hanson in concert? Favorite concert memory?
29 times. Favorite memory would be on Underneath night at 5 of 5 being with amazing friends.
What is your favorite Hanson songs and why?
Been There Before because it cuts right through me đ *no pun* haha
Why do you love Hanson?
Because of who I’ve met because of them, the great places I have gotten to travel to see them and the amazing music that has carried me through the years.
How long have you been a Hanson fan?
17 years.
Why should you be fan of the month?
Because I have never won anything in my life before and what a cool thing to be.
Don’t have any pictures of just me so put one of me and my best friend that goes to all my Hanson shows with me <3 Hanson knows us as the girls who have our arms up in the air for the entire duration of their shows.
|
|||||||||||||||
|
|||||||||||||||
|
Iâll admit to having a soft spot for band-plus-brewery special releases, and Iâve gone out of my way to score bottles of the Iron Maiden beer The Trooper, Mastodonâs The Hunter marzen from Germanyâs Mahrâs Brau, and Dan the Automatorâs cider-beer hybrid Positive Contact from Dogfish Head, among others. So when I recently opened a box from a local public relations firm that handles music biz clients I was both intrigued and frightened at what I found: four bottles of the Hanson brotherâs new Mmmhops craft beer and a copy of their latest album, Anthem.
How would the pale aleâbrewed at Oklahomaâs Mustang Breweryâstack up to the other musical brews? And how would the ale pair with the newest release from the band known for one song from 15 years ago? I was about to find out, but it would be difficult to overcome my existing prejudices.
I was primed to dislike Hansonâs ubiquitous single âMMMBopâ when it took over airwaves and cable music channels in early 1997. I was wrapping up my freshman year of college in Santa Cruz, California and a girl down the hall of my dorm was infected by the brothersâ saccharine earworm early on. I remember her stereo would alternate between blasting the nauseatingly peppy MMMBop and that even more infectious tune by Deep Blue SomethingâBreakfast at Tiffanyâs. Over and over and over. At a furious volume.
It was enough to drive one to drink, and back in those days I turned to bottles of Henry Weinhardâs Private Reserve or Peteâs Wicked Ale. Not paragons of the craft brewing revolution, but not too shabby for 1997.
My tastes in music and in beer are straightforward. I like the 12 bar blues, indulgent guitar solos and hoppy pale ales. For me it doesnât get much better than a sixer of Sierra Nevada Pale Ale and a Hold Steady album on the stereo, so I wasnât expecting much when I sat down with the four bottles, the CD, and a notebook, but I was surprised by the results.
Iâll give it to you straightâboth the brew and the disc surpassed my admittedly low expectations. And while you probably wonât find Anthem playing on my stereo much, I wouldnât hesitate to order a pint of Mmmhops.
The beer is labeled as a âpale aleâ but the alcohol content of over 7% ABV, and the intense hop character and firm bitterness place the beer very firmly in the IPA category. My sample bottles were noticeably less-than-fresh (par for the course with these types of sample packages unfortunately), but I was struck by just how much pungent hop character was still present alongside the twang of oxidation. The IPA has a sturdy malt body that carries some sweetness into the finish, and while the hop aroma was faded, there was still enough resinous pine and bright citrus rind character to offset the slightly stale-tasting malts. There was a pleasant flavor of orange oil and tropical fruit that lingered in the finish alongside the pronounced bitterness.
It was an unexpectedly flavorful brew that would have been even more impressive fresh. Living in Los Angeles, I have my pick of world class IPAs brewed in the west coast-style (well attenuated with little malt character and as hoppy as can beâbrews like Ballast Point Sculpin, Firestone Walker Union Jack, or Russian River Blind Pig) and the more malt-balanced east coast IPA styleâlike Mmmhopsâis a nice occasional change-of-pace. Iâm looking forward to trying Mmmhops again (though that might be tough as the beer is currently only available in the brothersâ home state of Oklahoma).
As for Anthemâthe bubblegum rock was more tolerable than Iâd anticipated, but I still needed to open some additional bottles to get through the disc. While you might have expected it from the beer, it was actually the album that had more of a âhomebrewâ vibe. Written, performed, and produced by the brothers, the songs could have used input from some ears that werenât the bands, someone to pull them back from the worst of their indulgences and maybe even fight to trim the discâs 13 songs into a more focused tracklist. At its worst, the album sounds overproduced and over polished (especially the lifeless drums and occasionally overwrought lyrics), but the brothers do manage some genuinely fun moments. âYou Canât Stop Usâ starts with a downright dirty riff and the most impassioned vocals on the album, but it also has a chorus that sounds like an outtake from a Hagar-era Van Halen song (not a good thing). Itâs the Michael Jackson-tinged âIâve Got Soul,â with its funky guitar line and horn blasts, that is the album at its most fun and unabashed.
The scary thing for me was how much the album grew on me after a few listens while writing this article. After a couple of pints and a couple of listens, I was groovinâ to Anthem and tapping my foot even if my tongue was tucked in my cheek. As slick as the production is, and as on the nose as the lyrics can be, you can tell that the brothers were having a blast making the albumâand that vibe is almost as infectious as that first breakout hit song, MMMBopâa song that built their studio, record label, and beer brand.
Make your jokes and take your shots at the brothers Hanson, but donât say that theyâre not music lovers and beer lovers. Theyâre just guys with the means to pursue their passions, and enough smarts to not care about the haters. Anthem is about being true to yourself, and the Mmmhops brew is true to the spirit of craft beer (and pretty tasty too)!
The 2014 Halloween song “Monster Jam” has been released. Â It is available for listening on the blog and available for purchase as either a part of Super Digital Pants 2 or on its own for $1.29.
Zac posted some lyrics, but they are incomplete. Â We’ve posted what we’ve been able to figure out on the lyrics site. As always, if you think something isn’t right or you know one of the lines we can’t figure out – let us know!
A quartet of musicâs top young acts rocked Philadelphiaâs Piazza at Schmidtâs on Sunday nightâlocal hip-hop duo OCD: Moosh & Twist, singer-songwriter LP, Pennsylvania native Wiz Khalifa and DJ/producer Afrojackâa terrific bill made even more remarkable by the fact that all attendees received their tickets not by purchasing them, but by doing good deeds.
The first Under 30 Music Festival, planned by Forbes in partnership with AEG and nonprofit resulted in the distribution of some 8,000 tickets to people who joined the campaign to end extreme poverty around the world. It was a smaller version of the Global Citizen Festival, and we hope itâll grow in a similar fashion.
But Sunday nightâs events were just a prelude to one of the most remarkable weeks in my time at this publication: the inaugural Forbes Under30 Summit. Think of it as a velvet-rope version of South By Southwest, reserved for the 1,000-plus members and graduates of our 30 Under 30 lists and a handful of mentors like former AOL AOL +1% chief Steve Case and billionaire investor Peter Thiel.
The event, which wrapped up yesterday, included keynotes from youthful newsmakers ranging from new anti-cyberbullying activist Monica Lewinsky to Nobel Peace Prize Winner Malala Yousafzai. There was still room, however, for plenty of discussion about the music business.
Summit attendees included the aforementioned musical acts, as well as the likes of Taylor Hanson (who also made a guest appearance at the concert, delivering a memorable duet with LP); Atom Factory founder and veteran artist manager Troy Carter; and a half-dozen members of last yearâs 30 Under 30 list in music.
Many of those people took the main stage in front of 1,500 peopleâAfrojack discussed the art and science of leading a crowd in a one-on-one with yours truly; Carter served as a judge on a Shark Tank-style startup contest; Wiz Khalifa stuck around to preside over the Under 30 Fashion Show; Questlove did the same at the Under 30 Food Festival; others joined breakout sessions like my Music Goes Moneyball panel.
Now that Iâm back and have had a moment to collect my thoughts, here are four of the key music-related takeaways I brought home from Philly.
Goodbye, genre boundaries. So itâs not exactly news that the lines between genres are blurringâIâve certainly written about that extensively myselfâbut the past few days have underscored that even more sharply for me. From the Taylor Hanson/LP duet, to Troy Carterâs entrepreneurial exhibition, to Wiz Khalifaâs fashion forays, itâs becoming ever more obvious that the boundaries are breaking down not just between types of music but between music and other industries. Which is part of the reason whyâŚ
Artists must be their own advocates and marketers. As Hanson put it during the Music Goes Moneyball panel, âThere are no open-source music companies. There are a lot of black boxes.â Understanding that is part of the reason his band of brothers is still quietly earning a living, touring the world while releasing records through their 3CG Records and supplementing their income by extending the Hanson brand into products their maturing fan base can enjoy, such as, yes, MmmHops beer. They also understand thatâŚ
Data is the new A&R. In the aforementioned panel, Taylor Hanson joined yours truly along with Spotifyâs Sachin Dochi and Next Big Sound founder Alex White (whom I profiled last year). We talked about how big data is revolutionizing the music businessâand, in many cases, itâs becoming as much a part of A&R as sabermetric analysis is with major league baseball front offices. âPeople donât get in the music industry because they love data. Except for me,â said White, with a chuckle. âThereâs never been this much data.â In the end, thoughâŚ
Thereâs no draw like a good cause and good music. As much as I learned from the rest of the Summit, the highlight for me was the Under 30 Music Festival. Granted, thereâs a level of bias here (I helped plan it). But watching thousands of onlookers of all agesâall of whom had done something worthy to gain admissionâbrave the elements as the show stretched into the night? It may sound corny, but thatâs what itâs all about, and I sure hope to do it again next year.