Bamboozle-Bop!

By | December 15, 2009

NYPress

Good news for those of you who didn’t get their fill of Hanson in 1997: the band is planning to release a fifth album this spring and play at The Bamboozle Festival. This is fantastic considering the fact that these kids are most remembered for making annoying music (how long was that one track, which will remain unnamed, stuck in your head?) and being very pretty in an androgynous enough way that neither girls nor confused boys could resist.

The plan is actually pretty well thought out, with the May 1 festival capping off a week of shows where the boys will play all of their full-length studio albums, culminating in the world premier of their newest work. The retrospective of their career, which will be held at the Gramercy Theater from April 26-30, will allow any fan to hear the progression from the early album “Middle Of Nowhere,” which has—oh, fuck it—”MMMBop” on it, all the way to whatever else they have done since then.

HANSON ANNOUNCE “FIVE OF FIVE” SPECIAL CONCERT SERIES LEADING UP TO APPEARANCE AT THE BAMBOOZLE FESTIVAL

By | December 15, 2009

FIVE CONSECUTIVE CONCERTS AT NEW YORK’S GRAMERCY THEATER, EACH CONCERT FEATURING ONE OF THE BAND’S FOUR PREVIOUS ALBUMS IN THEIR ENTIRETY, AND THE PREMIER OF THEIR UPCOMING SPRING 2010 RELEASE

New York, December 15th 2009, three time Grammy nominated independent artists, HANSON today announced that they will be performing at The Bamboozle festival on Saturday May 1st. Leading up to this prestigious festival appearance and in anticipation of their spring album release, the band will be hosting an exclusive five-night engagement at New York City’s Gramercy Theater, during which the band will be performing, in their entirety, each of their four previous albums, leading up to a worldwide premier of their spring full length.

Schedule as follows:

April
26 – Middle of Nowhere
27 – This Time Around
28 – Underneath
29 – The Walk
30 – New album
May 1st – The Bamboozle Festival

Regarding the upcoming concerts Taylor Hanson said “It’s great to be a part of this year’s Bamboozle festival, and especially on the heels of a new record we wanted to bring together a live music event that was really unique, something that allows us and our fans to share the music we’ve created over more than a decade like never before”. Added Isaac “We could not think of a better way to span the old and the new music than in this live setting”.

Concert tickets go on sale today Dec 15th, in conjunction with The Bamboozle festival, with limited ticket packages made available exclusively through the bands official site Hanson.net.

The announcement of these special events follows the digital release of the band’s new EP, Stand Up Stand Up, which was released physically on the band’s recent “Use Your Sole” tour with HelloGoodbye. The EP, now available via all digital outlets, features four brand new acoustic songs and the new full album track “World’s On Fire”, previewing the band’s Spring 2010 album.

Zac Hanson says, “The EP is about engaging fans of the band early, with a first look at some of the new songs, as well as bridging the gap between the last album, The Walk and the coming record”.

View a live performance of new music from the conclusion of the band’s recent Use Your Sole Tour, which broadcast live on Hanson.net on Nov 11th to an audience of fans in more than 30 countries around the world, go to Hanson.net/alive. Also look for the band to premiere more live streaming events in conjunction with their spring album release. For more on HANSON, go to the official site – Hanson.net.

Article: It began with Y2K

By | December 13, 2009

Tulsa World

Editor’s Note: This month the Tulsa World will look back at the top stories of the past 10 years, culminating with in-depth analysis and top-10 lists on Sunday, Dec. 27. In the meantime, here are some of the stories we remember from 2000:

Hanson rides fame wave. Tulsa’s Hanson ends the ’90s on a high note after the success of “MMMBop” but doesn’t have the same result with its follow-up, “This Time Around,” released in 2000. The brothers don’t give up, though. They just change direction.

Hanskeys Dolls Not Ready for Holidays

By | December 12, 2009

I received the following letter in the mail today from Zac,

I am sorry to say that there has been a manufacturing delay on the Hanskeys vinyl dolls. With new items like this there are often unforeseen details and issues that can slow the manufacturing process down, but we think it is important to make sure that each doll is printed properly to make sure all of our products meet your expectations. I am very excited about how they are coming together, and feel confident we will be shipping in January. Thank you for your patients.

Incase you purchased this as a gift for the holidays I have included a post card that can be given in its place.

Merry Christmas, Happy Holidays and a wonderful New Year!

Zac Hanson

Article: Plaintiff in HOB lawsuit tells of assault following Hanson concert

By | December 11, 2009

Marina City News

10-Dec-09 – Hanson concerts probably aren’t supposed to end like this.

The mellow, pop rock band – three brothers from Oklahoma – is best known for its 1997 hit song, “MMMBop.”

But on October 12, an assault of a Hanson fan after a concert at Marina City’s House of Blues, allegedly by a security officer for the concert venue, has led to a lawsuit against the officer and his former employer, seeking at least $100,000.

23-year-old Brittney Hernandez left the concert and thought she’d try to glimpse the band as their tour bus left Marina City from a driveway that turns onto West Kinzie Street.

“I was super excited because I was a really big fan growing up. It was my first [Hanson] show that I got to see.”

Hernandez, a 23-year-old lighting designer in Chicago, has been a Hanson fan since she was 12, growing up in Marengo, Illinois. She was home-schooled, according to her father, just like the Hanson brothers.

At a curb near Kinzie Street, at about 11:30 p.m., Hernandez says she snapped a photo of her friends.

“And then the security guard attacked me right after that.”

Hernandez says the guard, identified later as 31-year-old Darrell Gibson, “ran up on me and ripped my camera out of my hands.”

This time, local news cameras were photographing Brittney Hernandez, a woman seen in a cell phone video in October being assaulted by a man claiming to be a security officer for House of Blues Chicago. At left is her attorney, Stuart Brody.

Gibson, she says, was saying “a bunch of profanity” that she declined to repeat at a news conference Thursday at her attorney’s office in downtown Chicago.

“He said, ‘give me your camera,’ and ripped it out of my hands. I freaked out. And that’s pretty much where the video starts.”

The incident, captured on cell phone video by a woman from Ohio who was also at the concert, shows the man identified as Gibson striking Hernandez in the face on the south side of Kinzie Street. The woman falls to the ground. Shortly after that, he strikes her again. Hernandez crumples to the ground once more and is motionless for several seconds.

In this enhanced frame from a cell phone video, a man at right, identified by police as Darrell Gibson, and who told police he was an employee of House of Blues Chicago, has just struck in the face Brittney Hernandez, who falls to the ground. The incident happened in a driveway that leads to the marina level of Marina City. In the background is Harry Caray’s Italian Steakhouse.

Hernandez says Gibson did not tell her why he wanted to take her camera. He and two other security officers were about 20 feet away from her and her group. “I was aware that they were there.”

The other guards, says Hernandez, did not try to break up the assault. “They were just watching. They were [saying to Gibson], ‘Just let her have her camera.’”

“We played tug-of-war at first with just the camera and then he just, like, attacked me,” she says. “He ripped my hair and put my face into the cement.”

When police arrived, they spoke briefly with Hernandez and then arrested Gibson. “I was really just in shock and didn’t say much. All the witnesses pretty much spoke for me.”

According to a Chicago police spokesperson, the altercation resulted in minor injuries to Brittney’s face. Brody says his client is still being treated for the injuries but “the extent of [her injuries] can only be determined once treatment is completed.”

Video critical to case

Brody says the four minute 15 second video is “critical” to his case. “The picture speaks a thousand words.”

“We see every day incidents, whether it be criminal or otherwise, being captured on video that really level the playing field, so to speak, because it tells the story better than two people having to say, ‘he said, she said.’ This is one of those incidents.”

Brody says HOB is responsible for the incident. “There are the responsibilities they have as an employer as to their employees in terms of training, supervision, responsibilities, and obviously not to harm people.”

The matter is important, says Hernandez, not just to her but to other concertgoers. “You want to feel safe when you’re at a venue or whenever you’re seeing a concert. Many parents…just drop [their children] off at the door and pick them up right afterwards. You would think that they’d be safe. They should be at ease knowing that their children are with people who are going to do their job correctly instead of rough them up for no reason.”

Hernandez says she has not heard anything from House of Blues.

Brody says there has been no explanations or apologies from HOB. “There has been no communications from House of Blues to Brittney or to myself at any point in time concerning this matter other than the fact that I received a phone call by an attorney who said his law firm may be representing House of Blues.”

The lawsuit was filed on December 3 in Circuit Court. Seven counts against Gibson include negligence, assault, battery, theft, and infliction of emotional distress. There are ten counts against House of Blues, including assault, battery, theft, negligent hiring and training, and statutory ordinance violations such as battery, theft, and failing to report the activity to police.

Gibson, of Sauk Village south of Chicago, pleaded guilty on November 5 to misdemeanor battery and was sentenced to a year of court supervision.

Article: All In The Family

By | December 7, 2009

DIGMagazine

Hanson was recently mentioned in an article about indie OC rock band “Moostache”

Think the Jonas Brothers without the Jonas part and Hanson without the “MMMbop” part, actually Moostache doesn’t really sound like either of those brotherly pop “bands.” Though young, the boys of Moostache have more of a classic rock feel than Top 40, drawing from bands like The Beatles and The Rolling Stones that, surprise, the boys were fed a steady diet of from a young age thanks to their parents.

Article: Most Egregious Grammy Shafts

By | December 4, 2009

Paste Magazine

Record of the Year

1998
Winner: “Sunny Came Home” by Shawn Colvin
Losers: “Where Have All the Cowboys Gone” by Paula Cole, “Everyday Is a Winding Road” by Sheryl Crow, “MMMBop” by Hanson, “I Believe I Can Fly” by R. Kelly
Shafted: “MMMBop.” My inner thirteen-year-old-self has bad bangs, awkward pants and unvanquished rage over this slight, and will go furiously journal in her room—alone, for hours, with a pink pen—if challenged. Don’t make me do it.

Setlist: Members Only Event 11-12-09

By | November 21, 2009

1. These Walls
2. Carry You There
3. Take Our Chances
4. Go
5. Use Me Up (Zac solo)
6. Never Let Go (Taylor solo)
7. Waiting For This
8. Make It Out Alive

9. Next Train
10. Cecilia
11. Breaktown (only half of the song)
12. Coming Back For More